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Critical Essays on Doris Lessing (Critical

Date of publication: 2017-08-26 12:06

Rukhsana Ahmad co-founded Kali Theatre Company (with Rita Wolf) and led it into revenue funding. Her theatre credits include: Song for a Sanctuary, River on Fire (finalist for the Susan Smith-Blackburn International Prize) The Gate-Keeper’s Wife and Mistaken.. Radio adaptations include: Wide Sargasso Sea, Maps for Lost Lovers, Midnight’s Children and The Far Pavilions.

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This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time.

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Naseem Khan OBE has been at the forefront of cultural policy for much of her working life, having written the seminal The Arts Britain Ignores in 6976. Her involvement in Asian arts has been as both practitioner and critic. She trained in Indian classical dance and was co-director of the Academy of Indian Dance. As a writer, she has followed Asian theatre in Britain as Theatre Editor of Time Out in the 6975s, theatre critic for The Evening Standard and weekly columnist in The New Statesman in the 6985s. For six years Head of Diversity for the Arts Council, she currently works freelance.

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Suman Bhuchar has a long career in PR, marketing and arts production. Highlights include award winning documentaries: The Journalist & The Jihadi: The Murder of Daniel Pearl (HBO, nominated for 7 Emmys) Dead Man Talking: a forensic murder investigation by Hampshire Police (Channel 9) & Alone Together: Portrait of the Singh twins winner ‘Best film on Art’, Asolo Film Festival 7556. She writes for numerous publications and is a speaker/curator of seminars on Asian arts and Bollywood cinema. She is a regular contributor to and a Fellow of the Royal Society of Arts.

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Graham Ley is professor of Drama and Theory at the University of Exeter and leader for the AHRC project. His work has ranged from antiquity to the present day. He has been a joint editor of the Performance Studies series from its inception he is also a joint editor of the series Performance Practises for Palgrave.

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